Phaistos Disc

Phaistos Disc - Crete

The disc of Phaistos is the most important example of hieroglyphic inscription from Crete and was discovered in 1903 in a small room near the depositories of the “archive chamber”, in the north – east apartments of the Phaistos palace, together with a tablet and pottery dated to the beginning of the Neo-palatial period (1700- 1600 B.C.).

According to mythology, the city of Phaistos was theĀ residence of king Radamanthis, brother of king Minos.
Excavations by archaeologists have unearthed ruins of the Neolithic times (3.000 B.C.).
During the Minoan times, Phaistos was a very important city-state. Its dominion, at its peak, stretched from Lithinon to Psychion and included the Paximadia islands. The city participated to the Trojan war and later became one of the most important cities-states of the Dorian period.
Phaistos continued to flourish during Archaic, Classical and Hellenistic times. It was destroyed by the Gortynians during the 3rd century B.C. But Phaistos continued to exist during the Roman period.

Both surfaces of this clay disc are covered with hieroglyphs arranged in a spiral zone, impressed on the clay when it was damp. The signs make up groups divided from each other by vertical lines, and each of these groups should represent a word.

Forty five different types of signs have been distinguished, of which a few can be identified with the hieroglyphs in use in the Proto- palatial period. Some hieroglyphic sequences recur like refrains, suggesting a religious hymn, and Pernier regards the content of the text as ritual. Others have suggested that the text is a list of soldiers, and lately Davis has interpreted it as a document in the Hittic language in which a king discusses the erection of the Palace of Phaistos.

In a century which has seen the cracking of other ancient languages, Ugaritic, and other orthographic systems, the Phaistos Disk has eluded decipherment. The disk is thought to date from around 1700 BC. It is a roundish disk of clay, with symbols stamped into it. The text consists of 61 words, 16 of which are accompanied by a mysterious “slash” mark.


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